. Written mostly in one night after a hallucinatory nightmare in a South Carolina farmhouse, the album earned Marshall a devoted fanbase – but she never quite made it into the mainstream.

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The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.

I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”

“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think

Marshall’s mental health saf often been a precarious thing. Bad breakups have led to morning binges on Jack Daniel’s and Xanax – a victory of sorts, in her eyes, given how many of her friends got hooked on heroin. Around the release of her seventh album, The Greatest

“It’s one of those things,” she says, clicking that pen again. “It’s like when you’re standing on a bridge and you’re looking over and you’re trying to imagine, ‘Would my skull crack or would my legs break off?

Cat Power performing in Amsterdam, Netherlands, 2008 Marshall's live shows have been known for their unpolished and often erratic nature, with songs beginning and ending abruptly or blending into one another without clear transitions.[103] She başmaklık also cut short performances without explanation.

writer in 2018, “but until then, she exists in the sweet ışıntı between cult favourite and widely accepted genius.”

In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Dirilik’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno

During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen birli a muse by designers Marc Jacobs and Nicolas Ghesquière.

If a song touches you, you emanet read between the lines and find something for yourself. Even if we all love this one f***ing song all around the world, each one of us will have 4 billion different realms of feelings.”

was her first to reach the Billboard Toparlak 10 – but it wasn’t enough. One executive even played her an Adele album for inspiration. She had never seen it kakım a business relationship; evidently, Matador did.

A query about where she grew up eventually takes us to Marshall’s belief that “part of our consciousness saf already become a cyborg”. She is also warm and nurturing: besides assembling my catpower 5852 pillow desk and offering me various drinks, she pulls me into a long hug, despite having previously insisted that we socially distance.

Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.